ARTISTS
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Valerio
Adami
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Will Barnet
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Alexander Calder
Corrales
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Salvador Dali
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Max Ernst
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Francois
Fiedler
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Claude
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Paul Jenkins
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Howard Kanovitz
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Jacob Lawrence
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Alberto Magnelli
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Monory
Henry Moore
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Leroy Neiman
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Jose Ortega
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Pascal
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Sandra Ramos
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Rebeyrolle
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Mark Sabin
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Sharir
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Steinberg
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Takis
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Mark Tobey
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Raoul
Ubac
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Paul Van Hoeydonck
Esteban Vicente
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Jack Youngerman
Henry Moore
Torso
price on request
Bronze sculpture cast in 1967, signed by the artist and numbered 7/7. Stands 42" high. Appears in the following literature: Alan Bowness, ed. Henry Moore, Complete Sculpture, 1964-73, vol. 4, London 1977, no. 569, plates 68-70. Acquired directly from the artist. LH#569. Letter of authenticity included.
Henry Moore
Dante Stone Album
5 etchings
$10,000
The album of Dante Stones consists of 5 etchings based on ideas from Dante Alighieri's Rime petrose. The album includes an introduction by the artist presented in a beautiful silk covered box. The album and etchings are signed and numbered III/X by the artist. Etchings printed in 1977 on Rives paper 21 3/8 x 16 1/4" (543 x 413cm) by James Collyer and John Crossley, London. Each print is embossed in the lower right with the printers blind stamp. The album was made by Edward Robbins, London. Published by Raymond Spencer Compnay, Ltd. for the Henry Moore Foundation, Much Hdham, England. Cramer #461-465. Never previously owned. Letter of authenticity included.
Henry Moore
Dante Stone II
$2,000
1977 etching and aquatint signed and numbered 43/50 by the artist in pencil. Cramer #462. Paper size: 21 3/8 x 16 3/4" (54 x 41.5cm). Printed on Rives paper at James Collyer and John Crossley, London and published by Raymond Spencer Co. Ltd. for the Henry Moore Foundation, Much Hadham, England. Provenance: Spencer Co. Ltd. Never previously owned. Letter of Authenticity included. Condition: paper slightly bent in bottom margin of the paper, will not be visible when framed.
Henry Moore
Dante Stone III
$2,000
1977 etching and aquatint signed and numbered 36/50 by the artist in pencil. CR#463. Paper size: 21 3/8 x 16 3/4" (54 x 41.5cm). Printed on Rives paper at James Collyer and John Crossley, London and published by Raymond Spencer Co. Ltd. for the Henry Moore Foundation, Much Hadham, England. Provenance: Spencer Co. Ltd. Never previously owned. Letter of Authenticity included.
Henry Moore
Dante Stone IV
2,000
1977 etching and aquatint signed and numbered 36/50 by the artist in pencil. Cramer #464. Paper size: 21 3/8 x 16 3/4" (54 x 41.5cm). Printed on Rives paper at James Collyer and John Crossley, London and published by Raymond Spencer Co. Ltd. for the Henry Moore Foundation, Much Hadham, England. Provenance: Spencer Co. Ltd. Never previously owned. Letter of Authenticity included.
Henry Moore
Girl Seated at Desk II
$1,500
1974 lithograph signed and numbered 16/50 by the artist in pencil. Cramer Number #338. Paper size: 16 3/4 x 19" (42.5 x 48.3cm). Printed on J Whatman 1956 paper by Curwen Prints Ltd, London. Published by Henry Moore. Never previously owned. Letter of Authenticity included. Condition: paper wrinkled along edges, restored tear at upper left corner, will not be visible when framed.
Henry Moore
Girl Seated at Desk III
$1,500
1974 lithograph signed and numbered by the artist in pencil. Cramer #339. Paper size: 17 x 13 3/4". Printed on J Whatman 1956 paper by Curwen Prints Ltd, London. Published by Henry Moore. Never previously owned. Letter of Authenticity included. Condition: call for more information
Henry Moore
Girl Seated at Desk V
$1,500
Girl Seated at Desk V, 1974 lithograph signed and numbered 34/50 by the artist in pencil. Cramer #382. Paper size: 17 x 13 3/4". Printed on J Whatman 1956 paper by Curwen Prints Ltd, London. Published by Henry Moore. Off-white mat professionally cut for framing included. Never previously owned. Letter of Authenticity included.
Henry Moore
Glenkiln Cross I
$1,500
1973 etching, aquatint & drypoint signed and numbered by the artist in pencil. Watermarked with Moore's symbol. Cramer #187. Paper size: 12 1/4" x 9 1/2" (31 x 24 cm). Printed on Rives paper at Atelier Lacouriere et Frelaut, Paris. Published by Gerald Cramer, Geneva. Professionally matted and framed in grey wood. Never previously owend. Letter of Authenticity included.
"I started by balancing different forms one above the other - with results rather like the Northwest American totem poles - but as I continued the attempt gained more unity also perhaps became more organic - and then one in particular took on the shaped of a crucifix - a kind of worn-down body and a cross merged into one... Because the first cast of this sculpture was placed on a hill-side at Glenkiln Farm, Shawhead, in Scotland - and because it is so beautifully placed there - it has now come to have the name 'Glenkiln Cross'." (Henry Moore)